Ruby Beach (AFM06)
Cedar Creek flows out into the Pacific Ocean here at Ruby Beach in Olympic National Park. Easy access makes Ruby Beach one of the more popular stops on the Washington Coast for those driving the Highway 101 loop around the Park. The beach gets its name from the ruby-like crystals in the beach sand.
I made this image on a mid-January evening in the “purple light” that follows sunset. A 5 second exposure smooths out the water in Cedar Creek, giving it a calm and peaceful feeling. Sea stacks reflect in Cedar Creek and are in silhouette against a light mist of ocean spray.
Shipping: Prints are typically produced and dropped to the shipper within 2 days. However, this can be delayed if I am away on a trip.
Cedar Creek flows out into the Pacific Ocean here at Ruby Beach in Olympic National Park. Easy access makes Ruby Beach one of the more popular stops on the Washington Coast for those driving the Highway 101 loop around the Park. The beach gets its name from the ruby-like crystals in the beach sand.
I made this image on a mid-January evening in the “purple light” that follows sunset. A 5 second exposure smooths out the water in Cedar Creek, giving it a calm and peaceful feeling. Sea stacks reflect in Cedar Creek and are in silhouette against a light mist of ocean spray.
Shipping: Prints are typically produced and dropped to the shipper within 2 days. However, this can be delayed if I am away on a trip.
Cedar Creek flows out into the Pacific Ocean here at Ruby Beach in Olympic National Park. Easy access makes Ruby Beach one of the more popular stops on the Washington Coast for those driving the Highway 101 loop around the Park. The beach gets its name from the ruby-like crystals in the beach sand.
I made this image on a mid-January evening in the “purple light” that follows sunset. A 5 second exposure smooths out the water in Cedar Creek, giving it a calm and peaceful feeling. Sea stacks reflect in Cedar Creek and are in silhouette against a light mist of ocean spray.
Shipping: Prints are typically produced and dropped to the shipper within 2 days. However, this can be delayed if I am away on a trip.
About the Prints
The print is made with archival Lucia Pro II pigment inks on Red River Palo Duro SoftGloss Rag paper. This paper is a museum-grade 100% cotton fiber rag with a lightly textured semi-gloss surface. This 315gsm heavy-weight conservation paper is acid-free, lignin-free and OBA-free (FOGRA Certified ISO 9706). The print will remain fade-free over a life-time when properly mounted behind UV-filtering glass and displayed out of direct sunlight.
Each print includes a white boarder. 12X18 inch prints are printed on 13X19 inch paper. 16X24 inch prints are printed on 17X25 inch paper. The image area is printed centered on the paper. I sign each print in the lower right boarder with archival pigment ink.
While the pigment inks I use include a crystalline wax element to improve scratch resistance, the surface of your print is delicate and should be handled with care. I pack each print in a clear protective sleeve and include a pair of cotton gloves with each print order. I suggest that you handle the print only by its edges. Better yet, I suggest leaving your print in its protective sleeve and taking it directly to a professional framer for mounting and framing to your liking.
Each print includes a Story Card, on which I share a bit of the story behind how I found and photographed the image, along with information about the physical print. You may consider keeping this Story Card with the print, or taping it to the back of your frame, for future reference.
I ship prints flat (not in a tube) so that you receive it without significant curl.
