Olympic Rainforest Parkland (AFM20)
Great temperate rainforest valleys radiate from western slopes of the Olympic Mountains in Olympic National Park. Moisture-laden winds off the Pacific Ocean drench these forests with 120 to 140 inches (305–360 cm) of rain annually!
These forests are dominated by big leaf maple, Sitka spruce, western hemlock, Douglas fir and western red cedar. But elk browsing helps to keep the understory open in this natural woodland park.
I made this image in mid-January between rain squalls, with a Roosevelt elk bedded down in the grass about 100 yards off to the left.
Shipping: Prints are typically produced and dropped to the shipper within 2 days. However, this can be delayed if I am away on a trip.
Great temperate rainforest valleys radiate from western slopes of the Olympic Mountains in Olympic National Park. Moisture-laden winds off the Pacific Ocean drench these forests with 120 to 140 inches (305–360 cm) of rain annually!
These forests are dominated by big leaf maple, Sitka spruce, western hemlock, Douglas fir and western red cedar. But elk browsing helps to keep the understory open in this natural woodland park.
I made this image in mid-January between rain squalls, with a Roosevelt elk bedded down in the grass about 100 yards off to the left.
Shipping: Prints are typically produced and dropped to the shipper within 2 days. However, this can be delayed if I am away on a trip.
Great temperate rainforest valleys radiate from western slopes of the Olympic Mountains in Olympic National Park. Moisture-laden winds off the Pacific Ocean drench these forests with 120 to 140 inches (305–360 cm) of rain annually!
These forests are dominated by big leaf maple, Sitka spruce, western hemlock, Douglas fir and western red cedar. But elk browsing helps to keep the understory open in this natural woodland park.
I made this image in mid-January between rain squalls, with a Roosevelt elk bedded down in the grass about 100 yards off to the left.
Shipping: Prints are typically produced and dropped to the shipper within 2 days. However, this can be delayed if I am away on a trip.
About the Prints
The print is made with archival Lucia Pro II pigment inks on Red River Palo Duro SoftGloss Rag paper. This paper is a museum-grade 100% cotton fiber rag with a lightly textured semi-gloss surface. This 315gsm heavy-weight conservation paper is acid-free, lignin-free and OBA-free (FOGRA Certified ISO 9706). The print will remain fade-free over a life-time when properly mounted behind UV-filtering glass and displayed out of direct sunlight.
Each print includes a white boarder. 12X18 inch prints are printed on 13X19 inch paper. 16X24 inch prints are printed on 17X25 inch paper. The image area is printed centered on the paper. I sign each print in the lower right boarder with archival pigment ink.
While the pigment inks I use include a crystalline wax element to improve scratch resistance, the surface of your print is delicate and should be handled with care. I pack each print in a clear protective sleeve and include a pair of cotton gloves with each print order. I suggest that you handle the print only by its edges. Better yet, I suggest leaving your print in its protective sleeve and taking it directly to a professional framer for mounting and framing to your liking.
Each print includes a Story Card, on which I share a bit of the story behind how I found and photographed the image, along with information about the physical print. You may consider keeping this Story Card with the print, or taping it to the back of your frame, for future reference.
I ship prints flat (not in a tube) so that you receive it without significant curl.